Achtung, Achtung - alle Freunde progressiver Rockmusik wird dieses Buch "The Progressive Underground - Vol. 1" von KEV ROLAND garantiert begeistern und noch so einige spannende Lücken schließen, die sich jenseits der ganz großen Prog-Acts auftun.

Kev schrieb an unsere Redaktion zu seinem über sein sich mehr als 30 Jahre hinziehendes Buch-Pro(g)jekt:

"Mein Name ist Kev Rowland, und seit fast dreißig Jahren trage ich meinen kleinen Teil dazu bei, progressive Rockmusik bekannt zu machen, indem ich über sie schreibe. 

Als ich anfing, war es nur für Fanzines, einschließlich desjenigen, das ich selbst 16 Jahre lang in Großbritannien betrieben habe. Ein seltenes Feedback, da es zu dieser Zeit unglaublich schwierig war, etwas über das Genre zu erfahren, da die Massenmedien von dieser Szene nur selten berichteten. Ein paar Jahre später stellte ich fest, dass zu dieser Zeit noch weniger über den Prog-Untergrund veröffentlicht worden war. Das spornte mich an, alle meine progressiven Rezensionen und Interviews von 1991-2006 zusammenzustellen. Ursprünglich war die Idee, sie alle in einem Buch zu veröffentlichen, aber als es mehr als eine halbe Million Wörter umfasste, stellten sowohl ich als auch der Verlag fest, dass solch ein Buch zu groß werden würde (größer als Herr der Ringe) und so habe ich es das gesamte Material in drei Teile unterteilt.

Da der erste Band ist jetzt veröffentlicht und ich hoffe, dass er viele musikbegeisterte Interessenten findet. Dieser Band enthält alle Rezensionen von A-H, also von A.C.T. an Gary Husband, zusammen mit dem Cover-Artwork (sogar Demobänder). Band 2 und Band 3 werden beide in den nächsten 12 Monaten verfügbar sein und die Geschichte abschließen."

Und hier die Original-Angaben und Presse-Mitteilung zum Buch!

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978-1-905723-84-5

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Contact gonzo@cfz.org.uk for information

The Progressive Underground Vol. 1 by

Contrary to popular belief, progressive rock didn’t disappear with the advent of punk, and the lack of media support didn’t prevent new bands from forming and new music being created, it just drove it to the margins. It is hard to imagine these days, with everyone being permanently connected, but there was a time not long ago when communication was by word of mouth and letter. With no coverage by much of the media, it was down to fanzines and independent magazines to spread the word of what was happening within the progressive rock scene, what was being released, and who was worth going to see in concert.

Most of these magazines survived for just a few issues, while others continued for many years, all having their part to play in spreading the word. One of the most important during this period was ‘Feedback’. It initially started as the newsletter of Mensa’s Rock Music Special Interest Group in 1988, but when Kev Rowland became secretary in 1990, he determined to turn it into a magazine promoting music which often wasn’t being written about in the mainstream press. ‘Feedback’ soon became one of the key promoters of the progressive scene, and Kev one of the most well-known and popular reviewers. He also became a contributor to Rock ‘n’ Reel, as well as writing for the Ghostland website in the early days of prog on the web.

Kev Rowland

Publication Date: March 1st, 2019

The world had moved on by the time Kev emigrated to New Zealand in 2006, at which time he stopped running ‘Feedback’ (which has just celebrated it’s thirtieth anniversary, now renamed ‘Amplified’). It was now possible to discover information about bands and releases through the internet and the many progressive rock sites which had been set up, and even the mass media had decided that maybe there was something in this prog thing after all.

But the period when Kev was running ‘Feedback’ was very special in many ways, a time that has now long gone. The books capture Kev’s reviews which were published in ‘Feedback’ between 1991 and 2006, with Volume 1 featuring artists A-H, written within the context of the period by someone who was very close to the scene. Along with the other two volumes in this series (which will also be available this year), this shines a spotlight onto a time when there were very few writing about the music in a constructive manner. Volume 1 has a foreword by Stu Nicholson (Galahad), and comments on the rear cover by Greg Spawton (Big Big Train) and Clive Nolan (Arena, Pendragon).

Finally, it is again possible to discover some great music from wonderful bands, and this should be used as a guide to expand collections and understand that prog rock really didn’t die, it just went underground.

About the author

Kev Rowland is a self-confessed music addict, who has never really been the same since he heard ‘Sabbath Bloody Sabbath’ in 1975. In the Eighties he spent quite a ridiculous amount of money on all things related to Jethro Tull and was asked by David Rees to write a piece on Carmen (the band including John Glascock, not the opera) for the Tull fanzine ‘A New Day’. This simple request was life-changing, although neither realised that at the time.

Following on from that, Kev wrote reviews for the Mensa RockSIG newsletter, before becoming secretary himself in 1990. Over the next 16 years, the newsletter gained a name, and he put out more than 80 issues, many of them doubles, in excess of 11,000 pages. When he moved to New Zealand in 2006, he retired from the music scene, but was pulled

back in – initially kicking and screaming until he accepted his fate. These days he can be found contributing to many magazines and websites, is a columnist with the wonderful Gonzo Weekly magazine and is a special collaborator on www.progarchives.com which is designed to be the most important and comprehensive progressive rock resource on the web. In 2018 he reviewed 850 albums of multiple genres.

When he isn’t listening to music, writing about music, or thinking about music, then he can be found on his lifestyle block in Canterbury with his wonderful and long-suffering wife Sara, and their 11 cats, 6 dogs, chickens, sheep, lambs, calves and cattle. Oh, apparently, he has a day job as well.

Kev is available for interview but asks for initial contact to be made via email as time zones can be confusing to some people, and he does live at the end of the world after all: feedbackfanzine@hotmail.com

Online:

PROGARCHIVES
Cover art and design for all three volumes is by Martin Springett.

Kev Rowland

Red Arrow Farm

639 Depot Road

RD1 Oxford 7495

New Zealand

The Progressive Underground Volume 1

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